Some famous people with a Proulx ancestorNovember 8th, 2014 0 By Florian Proulx
1.- Denise FILIATRAULT born Marie-Donalda Denise LAPOINTE is a descendant of Joseph Proulx (son of Pierre and Marie Gauthier) and Marie Josephte Dupont via Marie-Josephte Proulx.
2.- Diane Tell (born Fortin) is a descendant of Jean Proulx and Jacquette Fournier via Marie-Madeleine Proulx.
3.- Madonna (born Madonna Louise CICCONE) is a descendant of Jean Proulx and Jacquette Fournier via Marie-Angélique Proulx.
4.- Mario Pelchat is a descendant of Jean Proulx and Jacquette Fournier via Jean-Baptiste Proulx.
5.- The Honorable Louise ARBOUR United Nations High Commissioner for Human Rights. Born: February 10th, 1947 in Montreal, Quebec, is a descendant of Jean Proulx and Catherine Pinel via Marie-Catherine Proulx.
Arbour was born in Montreal, Quebec to Bernard and Rose (née Ravary) Arbour, the owners of a hotel chain. She attended convent school, during which time her parents divorced. As editor of the school magazine, she earned a reputation for irreverence.
In 1967, she graduated from Collège Regina Assumpta, and proceeded to the Université de Montréal where she completed an LL.B. with distinction in 1970. She became the Law Clerk for Justice Louis-Philippe Pigeon of the Supreme Court of Canada in 1971–72 while completing graduate studies at the Faculty of Law (Civil Section) of the University of Ottawa. This is where she met her long time common-law partner Larry Taman, with whom she lived for 27 years. In a 2014 interview, Arbour named the move from Quebec to Ontario as the “biggest hurdle [she] had to overcome to succeed in [her] career,” as her entire education had been in French.
She was called to the Bar of Quebec in 1971 and to the Law Society of Upper Canada in 1977.
From 1972–73, Arbour was research officer for the Law Reform Commission of Canada. She then taught at Osgoode Hall Law School, York University, first as a Lecturer (1974), then as Assistant Professor (1975), Associate Professor (1977-87), and finally as Associate Professor and Associate Dean (1987). She was Vice-President of the Canadian Civil Liberties Association until her appointment to the Supreme Court of Ontario (High Court of Justice) in 1987 and to the Court of Appeal for Ontario in 1990. In 1995, Arbour was appointed as President of a Commission of Inquiry, under the Inquiries Act, for the purpose of investigating and reporting on events at the Prison for Women in Kingston, Ontario, following allegations by prisoners of abuse.
In 1996, at Richard Goldstone’s recommendation, Arbour was appointed as his replacement as Chief Prosecutor of the International Criminal Tribunal for Rwanda in Arusha, and of the International Criminal Tribunal for the former Yugoslavia (ICTY) in The Hague. She indicted then-Serbian President Slobodan Milošević for war crimes, the first time a serving head of State was called to account before an international court. Other indictees were Milan Milutinović, President of the Republic of Serbia, Nikola Šainović, Deputy Prime Minister of the Federal Republic of Yugoslavia, Dragoljub Ojdanić, Chief of the General Staff of the Armed Forces of the Federal Republic of Yugoslavia, and Vlajko Stojiljković, Minister of Internal Affairs of the Republic of Serbia.
In 1999, Prime Minister Jean Chrétien appointed Arbour to the Supreme Court of Canada.
She has been published in the area of criminal procedure and criminal law, in both French and English. At various times, she has served as an editor for the Criminal Reports, the Canadian Rights Reporter, and the Osgoode Hall Law Journal.
Arbour has been awarded honorary doctorates by twenty-seven universities. In 2005, Arbour was awarded the Thomas J. Dodd Prize in International Justice and Human Rights, along with Justice Richard Goldstone, in recognition of her work on the International Criminal Tribunals for the former Yugoslavia and Rwanda. She was the subject of a 2005 fact-based Canadian-German made-for-television movie, Hunt For Justice which follows her quest to indict Bosnian Serb war criminals. Arbour was played by Canadian actress Wendy Crewson.
She was made a Companion to the Order of Canada in 2007 “for her contributions to the Canadian justice system and for her dedication to the advancement of human rights throughout the world”. She was made a Grand Officer of the National Order of Quebec in 2009.
She was made a Commander of the National Order of the Legion of Honour in 2011. She has been awarded numerous honorary degrees, including Doctor of Civil Laws from the University of Western Ontario in June 2000 Doctor of Humane Letters from Mount Saint Vincent University in May 2001, and Doctor of Laws degrees from the University of British Columbia in November 2001 the University of Waterloo in October 2006 in June 2009 from the University of Alberta and University of Guelph, and from Simon Fraser University in October 2009.
On January 24, 2008, Arbour welcomed the entry into force of the 2004 version of the Arab Charter on Human Rights, which has been criticized for containing the following:
Article 2(3) All forms of racism, Zionism and foreign occupation and domination constitute an impediment to human dignity and a major barrier to the exercise of the fundamental rights of peoples; all such practices must be condemned and efforts must be deployed for their elimination
Following criticisms about this statement, Arbour reportedly distanced herself from some aspects of the charter. The Arab Charter remains listed in the Office of the High Commissioner’s website, among many texts adopted by international groups aimed at promoting and consolidating democracy.
In September 2008, Arbour gave a lecture, “Integrating Security, Development and Human Rights”, at the University of San Diego’s Joan B. Kroc Institute for Peace & Justice Distinguished Lecture Series.
In 2013, Arbour courted controversy by questioning the international community’s policy toolkit.
On 9 March 2017, Madam Arbour was appointed by the U.N. Secretary-General, António Guterres, to be his Special Representative for International Migration. She will lead the follow-up to the migration-related aspects of the 19 September 2016 High-level Summit on Addressing Large Movements of Refugees and Migrants, with an aim to complete negotiations on a Global Compact on migration-related matters in the fall of 2018.
Source : http://www.wikipedia.org/
6.- André MATHIEU Quebec pianist and composer. Born: February 18, 1929 in Montreal, deceased: June 2, 1968 in Quebec City, Canada. He is a descendant of Jacques Prou dit Le Poitevin and Jeanne Catherine Pilon via his grandmother Abina Proulx, daughter of Jean-Baptiste and Zéphérine André dit St-Amant.
Mathieu was born René André Rodolphe Mathieu on 18 February 1929 in Montreal, Quebec, Canada, in the parish of Saint-Jacques-le-Majeur to father Rodolphe Mathieu and mother Wilhemine Gagnon-Mathieu. His father was a music teacher and composer, and his mother a cellist and teacher. Mathieu was fascinated by the world of music from an early age, and received his first music lessons from his father. Mathieu as a child was unusually precocious. He spoke his first words at the age of 4 months and took his first steps before seven months.
Rodolphe Mathieu was at first reluctant to teach his son music, and forbade him to touch the piano. This is because the senior Mathieu regarded music as a pauper’s profession. Even so, Rodolphe Mathieu resigned himself to teaching his son music, because he recognized the exceptional talent in Mathieu. Mathieu began composing at the age of 4. At age 6 Mathieu gave his first recital of his own composition at the Ritz Carlton Hotel in Montreal, Quebec, on 25 February 1935. In 1936 Mathieu performed his Concertino No.1 for Piano and Orchestra as a soloist on the CBC network. He was later given a grant by the Quebec government that enabled him to go to Paris and study piano with Yves Nat and Mme. Giraud-Latarse. Mathieu also studied harmony and composition with Jacques de la Presle. In December 1936 Mathieu gave a recital of his works at Salle Chopin-Pleyel, and again at Salle Gaveau on 26 March 1939. His recitals were received very enthusiastically by the Parisian critics. They unanimously agreed that André Mathieu was a “Canadian Mozart”.
Mathieu returned to Montreal for the holidays, but due to the outbreak of war he could not return to Europe. Instead, Mathieu performed in a series of recitals in Canada and the United States of America, and gave a performance at the New York City Town Hall on 3 February 1940. He remained in New York with his family until 1943, studying composition with Harold Morris and fulfilling concert and radio engagements. In 1941 when he was not yet 12 years old, Mathieu won the first prize at the composition competition to commemorate the 100th anniversary of the New York Philharmonic Orchestra. He also played his Concertino No. 2 for piano and orchestra at Carnegie Hall. Mathieu also played his compositions at a concert of the League of Composers.
In 1943 he returned to Montreal and gave numerous concerts performing Bach, Beethoven, Chopin, Liszt, Debussy and Ravel, as well as his own works.
In 1946 he left Montreal for Paris to study composition with Arthur Honegger and piano with Jules Gentil. Unfortunately the trip did not go as planned. Mathieu was disappointed by his teachers, bored and short of money. He felt lonely, homesick and vulnerable. In 1947 he returned to Montreal a changed man, tired and exhausted. He took part in Pianothons to break records at events. He also began teaching and continued to compose. During the following years he succumbed to alcoholism. He married Marie-Ange Massicotte in 1960, but their marriage was short-lived due to André’s alcoholism and emotional problems. André died suddenly at the age of 39 on 2 June 1968. He was a prolific composer and left behind a wide range of music.
The welcoming song and the official theme-music of the 1976 Montreal Olympics was arranged by Vic Vogel from Mathieu’s works. The André-Mathieu Club was founded in 1942 at Trois-Rivières by Mme Anaïs Allard-Rousseau to promote an interest in music among youth in the community. The club eventually became part of the Youth and Music Canada (YMC) or Jeunesses musicales du Canada (JMC). In October 1979 the Salle André-Mathieu opened as part of Montmorency College in Laval, Quebec in honour of Mathieu’s talent and contribution to music. In 1987 a street was named after Mathieu in the Pointe-aux-Trembles district in Montreal. Another street was also named in memory of his great work, in Mirabel, Quebec, in 2006. The renowned pianist and classical music activist Alain Lefèvre has popularized several of André Mathieu’s works.
As a composer Mathieu’s style leaned towards the late Romantic school of Rachmaninov, and his music was influenced by Debussy as well. Mathieu wrote many works for piano. Among the compositions of his youth are the Trois Études (1933), Les Gros Chars (1934), Procession d’éléphants (1934), Trois Pièces pittoresques (1936), Hommage à Mozart enfant (1937), and Les Mouettes (1938).
In 1939 he wrote two suites for twin pianos: Les Vagues and Saisons canadiennes.
In 1943 he wrote a third concerto for piano and orchestra titled Concerto Romantique (also known as the Concerto de Québec). The piece was performed by Neil Chotem in the Canadian film La Forteresse. His Concerto No. 3, which he performed in 1948 with CBC Montreal orchestra under Jean-Marie Beaudet, was presented in 1977 in Tunisia by pianist André-Sébastien Savoie and the Tunis Orchestra conducted by Raymond Dessaints.
He also composed a fourth concerto around the year 1947, considered by some as a more mature and original work, which is currently being rediscovered and has received its first integral recording in 2008 from the Quebec music company Analekta. The composer seemed quite attached to this piece; for a long time, it was part of the concerts he gave, and one of his last great masterpieces for orchestra, the “Rhapsodie romantique” (“Romantic rhapsody”), is an arrangement of its second movement. This Piano Concerto No.4 appears on several of Mathieu’s concert programs between 1948 and 1955, but for many years there was no complete record of its score. However, Mathieu had a performance of this piece recorded on 78 rpm discs at a concert on December 7, 1950 in the Ritz Carlton of Montreal, and gave the recording to a woman friend. In 2005, while Alain Lefevre’s work to revive Mathieu’s work was underway, the woman met Lefevre backstage after a Concerto de Québec, and delivered to him the recordings. Lefevre worked with conductor and composer Gilles Bellemare to reconstruct and publicize the composition, and on December 10, 2013, 70 years after the last of Mathieu’s three appearances on stage at Carnegie Hall in New York City, Lefevre appeared at Carnegie Hall and gave the New York premiere of Mathieu’s previously lost Piano Concerto No.4.
Among Mathieu’s works for piano and violin are Fantaisie brésilienne, a sonata, a berceuse, and Complainte. Mathieu’s vocal works include Le ciel est si bleu, Hymne du Bloc Populaire, Les Chères Mains (1946), and Quatre Mélodies (1948).
Source : http://www.wikipedia.org/